Mónica de Miranda: Filming What History Tried to Erase
Portuguese-born Angolan visual artist, photographer and filmmaker Mónica de Miranda turns landscapes into living archives. Moving between photography and moving image, she creates scenes suspended between dream and reality, where bodies, architecture and nature carry the traces of colonial history. Her work isn’t simply about representing the world. It’s about reclaiming who gets to tell its story.
Simon Diebold: Between Flesh and Mirage
In the work of Simon Diebold, flesh is no longer just a surface — it’s a battleground, a hallucination, a digital relic, a scream frozen mid-glitch. His art doesn’t just depict bodies; it dissects them, refracts them, reconfigures them into ghostly avatars wandering between the physical and the phantasmagoric.
Martine Syms: Hacking Art, Pirating the Institution, Glitching Reality
Artist, filmmaker, and publisher, Martine Syms deconstructs the codes of pop culture and visual capitalism. Through installations, films, and publications, she explores image, power, and Black identity in an ultra-connected world. A striking body of work, balancing social critique and glitch aesthetics.