In the work of Simon Diebold, flesh is no longer just a surface — it’s a battleground, a hallucination, a digital relic, a scream frozen mid-glitch. His art doesn’t just depict bodies; it dissects them, refracts them, reconfigures them into ghostly avatars wandering between the physical and the phantasmagoric.

Artist, filmmaker, and publisher, Martine Syms deconstructs the codes of pop culture and visual capitalism. Through installations, films, and publications, she explores image, power, and Black identity in an ultra-connected world. A striking body of work, balancing social critique and glitch aesthetics.